Everyone tries to write Watchmen the first time around. Cop to it, kids. We all want our first foray into the world of comics to be loud. To be a hit. And I don’t blame you. Who doesn’t want to be the guy who came out of nowhere and just punched everyone in the face with something awesome? It’s not wrong to want that, but it is harmful to hope for it and, by extension, pin your tragically fragile comic creator self-esteem on what may very well be a shitty Original Graphic Novel.
My friend Matt and I are currently bringing a year’s worth of scripts for INSTRUMENTS to a close. The process is done via skype… with beers… so it’s not the smoothest of creative processes. I currently have about 90% of the first issue completely drawn and toned (we’re planning to release it black and white), so all that’s needed for a proper pitch is the clean script for the first year’s worth of monthly issues. You read that right: the first year. And therein lies the rub — What are the odds of a coupla nobodies getting a publisher to commit to an entire year’s worth of monthlies? Granted of course that our story is mind-numbingly awesome (Who else is gonna say it, asshole?), our operation can’t exactly hinge on the script alone when Image, Boom, Avatar, or whoever else can’t tell us apart from a dead dog’s cock now can it? They don’t know who the hell we are.
So I start small.
I’ve got a bunch of solos I’ve been meaning to start fleshing out, script-wise. I can’t pull off ICELANDER with less than eight issues, so that’s out. JOHNNY BEASTLING only needs six for the first arc, but I really really really don’t want to have to use it until I know I can write it well. THREE BLIND MICE needs more research. So that just leaves the pirate story…
Let’s call it ALL HANDS for now. And let’s say it’s what Lovecraft wanted to see when he watched Pirates of the Caribbean, and Harryhausen was right beside him, stealing his popcorn. (I draw comics, were you really looking for a profound metaphor there?) But the best part is it works as a one-shot. An oversized one-shot, sure, but much easier to sell than a twelve-issue maxi-series written by two drunken nerds.
So that’s going on. I wish I could say I arrived at this decision to write a pirate story via logical reasoning, but the fact is it’s nothing but what I’m calling a resultant… I don’t know… mental state? Gestalt?… of a series of strange coincidences. Take from that what you will.
::: ::: ::: Keeping it Relevant Department ::: ::: :::
MASK of MANOLO #2 is experiencing logistical hitches. More on that as I get news.
Page layouts for HORROR PROJECT are coming along nicely. Thumbnails are being a bit of a challenge, but live and learn I suppose.
Tomorrow will be about reading JENNY STRANGE scripts for Zuda.
OVERTHROW #1 is done and done. All that’s left is the cover concepts before we take it to pitch. Justin suggested I study some old posters and go all Soviet Propaganda on everyone’s asses, so that should be fun. See?