So I’m alive… after my first week of working on my first actual books. It’s funny doing this instead of an actual day job coz you realize how terrible a manager you’d end up being. Essentially been picking up the pencils right after lunch and working non-stop till about three in the morning the following day. Then sleep till about lunchtime, and the cycle begins anew. The schedule is actually not as bad as it sounds, but sometimes I just roll back over and go back to sleep, wishing I was Travis Charest. That being said though, I finished five pages and a cover this past week. So yeah. Not terrible.
It’s interesting having two books to work on that are so different from each other. And I don’t even mean story-wise either. See, MASK of MANOLO is fully intended to be a black and white book, whereas OVERTHROW! is going to be colored. And as I’m working on these pages throughout the week and alternating which books to work on and when… I realize that it’s a different set of artistic muscles that gets exercised every time.
When I know that a book is going to be black and white, I’m very generous with my hatching. There are lines literally all over the place. Even if I know that I’m going to apply tones to every single page later on, I still apply my hatch lines. That might very well be a waste of time, but it just helps me put it in a different place, y’know, mentally as well as visually.
OVERTHROW! is going to be colored, and I’m helping Justin scout for a colorist. I think I’ve already spotted one, but I’ll let you guys know when it’s solid. I’m not very hatchy when working on this book. My blacks are quite a bit more solid and defined, and I leave a lot of space for a colorist to interpret slight tonal shifts. For instance, while I would apply hatching to a slightly darker (read: midtoned) side of a rock in a black and white book… I would leave it untouched in a colored book and leave it to the colorist to give it a shaded hue. Color me noobish, but I feel like overdoing hatch lines muddles the colors quite a bit. But when used right and just suggestive enough, it can be a powerful unifier for when a colorist does his magic.
I don’t know if I’m doing it right yet though, but the colorist candidate guy says I’m on the right track, which is encouraging. Go me.
::: ::: ::: :::
Eno’s Oblique Strategy Card says: Cluster Analysis
::: ::: ::: :::
For those of you who missed it, a coupla friends and myself have decided to kill what little free time we have left to do a comics review show. It’s in the journal entry right before this ‘un. Tres Komikeros is/was/will be a podcast hosted both here and on The Independent Comic Site. ICS has pretty much identified itself as Newsarama’s evil twin, which I think is a really fresh take on comics journalism. Matt Brady meets Maddox. I have great respect for Dominik, the EIC, and I just know that site’s just waiting to explode. I can feel it in my amateur podcaster loins.
::: ::: ::: :::
I’m not allowed to show anyone any MANOLO stuff till November, but Justin’s been posting some previews of OVERTHROW! at his work blog. Go check ’em out. Laterz!