Been a bit of a spell since I got to update on here, so if this entry feels terse and fragmented, I’m sorry… but then again, it’s me… so you should really detect no real change.  Huzzah!

June got a little hairy as Jad came down with dengue fever and had to be hospitalized for almost a week.  I had flown down to keep her company as best I could, but the beginning of the rainy season had taken a bit of a toll on me as well — nothing quite as serious, fortunately, but I ended up not getting to stay with her at the hospital as often as I would have wanted, lest I got sicker and became a liability.  That said, my evenings at the hotel were still miserable, but hardly anything compared to Jad’s ailment which, we later discovered, is nicknamed “bone breaking fever.”  They really went out of their way to sugar that one up.

I had bought her a copy of Arnold Arre’s MYTHOLOGY CLASS, and she says it at least took her mind off being sick, if only for precious increments.  With prayer and a whole lot of soldiering on her part, she made a full recovery in a week and celebrated by attacking a happy helping of roast pork.

Brought my flu home with me.  Nothing a week of antibiotics couldn’t handle, but because they were pretty potent peyote-type shaman juice, I couldn’t draw quite as fast as I wanted to because I was getting tremors like a caffeinated mouse in a church bell.  So yeah, work went ouchy.

I hate flu season.  All better now though.

*****   *****   *****   *****   *****

A month after Zuda ended its monthly competitions, they announce that the site itself was shutting down.  PRs and official emails indicate that it’s a decision straight from the higher-ups, made in conjunction with DC’s whole digital initiative.  And while long-running series such as HIGH MOON and BAYOU will be migrated, the newer ones had to be cancelled.  Oh well, them’s the breaks.  More recent interactions at least have DC doing right by us creators, as far as ownership and fair compensation goes.  And I’ll leave it at that.  Heh.

Still talking to Gabe and Matt about Comixology and Graphic.ly.  But I’m currently committing a lot more of my time to 1888 — the first issue of which is nearly half done, as far as line art goes.  Bricks and dead whores, baby!  That’s my suggested alt title, but I don’t think Wolfgang will go for it.  Will keep pushing.  Don’t stop believing.  Heh.

*****   *****   *****   *****   *****

While I was stuck in bed, I got to read a whole bunch of stuff.  Too much in fact, that I’ll just post them as little blurbs instead of my usual “Reading: insert artsy fartsy title here” journal entries…

Scalped (Vertigo)

Sure, Jason Aaron’s Indian Reservation Noir is well into it’s fourth year, but I just got a chance to check it out.  Much like with IMMORTAL IRON FIST and PREACHER, I was late to the party.  But you know what?  I’m glad I was.  Because I don’t think I woulda been able to stand the 30-day wait between issues on this fantastic series.  Someone tell me why this isn’t on HBO.

-

100 Bullets (Vertigo)

Now this series has been done for a while, but I finally got around to picking up the first three trades coz I’ve been on a weird crime comic spree as of late.  I apologize in advance for the pun, but it’s… hit and miss? As much as the revolving cast keeps things interesting, it also works against the narrative because you cant really invest in anyone.  But I’ll gladly stay in my seat for Risso’s art alone.

I Killed Adolf Hitler (Fantagraphics)

There’s something about the deadpan delivery of this comic that makes it a lot more touching than you expect it to be.  Whatever you’re guessing it’s about based on the title, you’re really only half way there.  The majority of the book is delivered in an 8-panel grid, so there’s a visual immediacy to the story itself, because the pacing really isn’t the point.  And when you get to the end, you’ll get that it’s really a love story more than anything else.

Switchblade Honey (AiT/Planet Lar)

The captain is an asshole and the crew is a mishmash of crack addicts and psychopaths.  Meet the people who will save you from super advanced aliens who see you as nothing more than germs with shoes.  Angry Star Trek.  Warren Ellis.  Go.

The Tres Komikeros podcast will be taking a break after episode 52, which is scheduled for recording this July 17th… coincidentally the same day Jonas Diego is running a 24 Hour Comic Day Challenge.  So we figured… one more show for this season?  We’ll all be at our desks for a whole day anyway.  Fuck it, let’s record a 24-hour podcast.  And that, my friends, is how big decisions are made.  With half-assedness and lots of cursing.  Come listen.  And learn yourself a thing or two… even if it’s only “don’t do it.”

John, Alex, and Migs volt in to bring you reviews of Millar and McNiven’s Nemesis #1, Green Lantern #52, and Uncanny X-Men #522! After a round of quickshots, the boys discuss the official news about Evans being Captain America, the Image Guardians of the Globe teasers, and the Scott Pilgrim movie trailer. Lastly, the panel discussion has the boys asking the question: “Which comic character should already die of old age?”

Also look out for the new segment entitled “Spoil Me” interspersed throughout the show. Deal with it, kids.

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Download the episode here

Visit the site

They didn’t plan this.

And the fries were soggy.

… … …. …  … … …

Lo.  Pan.

Playing hooky.

Brother’s Grip

“That’s crazy!” was one of the first things my high school classmates at Sacred Heart School for Boys told me when I said I’d be doing indies with some college artists.  Wasn’t as into sports as much as a lot of my friends wanted to think, and wasn’t at all excited when that Dreamcast-thing started making its rounds.  I was the comics nerd in the crew.  Sure, we’d hike over to the all-girls school down the avenue practically every day and engage in ill shit, but when the sun went down… we all still went home and played with our toys.  Take that any way y’all want, heh.  The year was 1999, and I was about fifteen.

Somehow got a graphic design teacher at a local university to take a look at my art — I had recently finished a personal project re-telling the origin of the Thundercats (yes, I was that kid) — and after giving me some constructive crits, he extended an invitation to join a gathering his students were planning.  My old man took me to the meeting, probably worried that the college boys would give the geeky high schooler a hard time.  Turns out the lot of them were worlds geekier than I was.  This was Sukol, my very first taste of the local comics scene.  This is where I met artists before they even became artists, if that makes any sense.  Looking back now, I feel somewhat humbled by it.

Tyke Villalonga (the teacher) was there, giving some last-minute project notes to Alexander Cruz.  To the right of the lecture hall, Michael Dizon, John Paul Vicedo, and Ian Areola were making fun of Vinzon Ngo’s (Bleedman) art.  He deserved every bit of it, the bastard.  A whole bunch of artists were there, but names were never one of my strong points (Right, ladies?).

What started out as a gathering of artists eventually became a movement, and we ended up releasing a monthly black-and-white comic, funded by our respectively meager allowances.  We gave these pamphlets out for free, and we didn’t care about ROIs and any of that “responsible” crap coz they were just too much fun to do, and the energy one got from being among fellow artists was just electric.  It didn’t last though.  Eventually some people decided they didn’t care about it anymore, others decided to pickaxe their own way into stardom solo, and the rest sort of just evaporated into creative limbo.  My title, Twilight (yeah… yeah…), which was very Battle Chasers-inspired, sank like a brick.

Then college came around and I went from private catholic school to state uni to take up Political Science; Don’t know if it was pride or a denial thing, but I couldn’t stop what I had already gotten to do.   Somehow convinced myself that this is what I wanted to do, so I kept at it and migrated to Popcorn Comics, a publication apparently inspired by Sukol’s efforts but with wider distribution and actual advertising, owing mostly to Warren Tan’s extensive connections.  But the best part was that the artists actually got paid this time.  This is where I learned became aware of the value of staying on deadline.  I was getting paid to do comics at seventeen.  Shit didn’t get any more real than that.  and here I met Leandro Panganiban, Lloyd Limbaga, James Neish, and Harvey motherfuckin’ Tolibao.  Icelander, my “story” essentially about cavemen fighting aliens (yes, I was a fuckin’ prodigy) saw the light of day.That ended too though, because apparently the market just wasn’t healthy enough for local books, what with people still being burned out by the nineties stunts.   So college went into full swing, and naturally that was a whole different experience in itself… and I may talk about it in the future.  Still, Sukol and Popcorn were both intensely formative experiences for me though — both as a person and as an artist.

My high school friends were right, it was crazy… but I wouldn’t trade the experience for anything in the world.