The gears’ve started to turn on the Victorian horror project with punk swing pioneer Wolfgang Parker.
Haven’t shared much about it on the journal for very specific, very delicate reasons. I’ve said it before, but I’ll slap you in the face with it again anyway — can’t let anyone in on any juicy details or the terrorists win. Nyaha! Deal with it. But no yeah, I’ve just recently completed my share of the work for the initial stages of the project, so here’s hoping something clicks and bursts into flames. The good kind of course.
Balanced out with the high-octane, pulp approach I’m using for JENNY STRANGE, I’ve subdued my camera and physicalities for this project as I wanted it to feel… real. Or at least as real as a drawn piece of work can be, given that my work is intrinsically cartoony. Coated my style with a Mignola-Fegredo luster, which I’m hoping I pulled off without having to dampen too much of my own spices. Yes, I totally just compared myself to a sprig of basil. Fairly happy with the results.
Vague enough for you? Good.
Anyway… so that’s that. Worked pretty steadily on this one.
Blame it on the season.