Two weeks to go before the pledge period ends, so if you’d like to see this scene played out, I highly recommend heading over to Kickstarter and backing the project.
For over a year now, I’ve been working with Wolfgang Parker to craft a story of Victorian horror worthy of the legend of Jack the Ripper. 1888 is a unique take on the White Chapel mythos that I believe draws in Hellboy fans, Classic Horror aficionados, and Crime Noir enthusiasts. The project is currently on kickstarter.com, as we are welcoming pledges and participants in the sharing of the creative process. I’ll let Wolfgang tell you more, as he is slightly prettier than me. but only by a little bit.
We are not smart people.
The night of the Watchmen premier, one of my friends asks the table if any of us thought all this knowledge of Star Wars, Marvel continuity, Mass Effect side quests, and Chuck Norris jokes actually meant anything. There were about six of us, with a beer tower in the middle. It was as close as we got to quarterlifing, and that tends to shake me pantsless. “No,” I said. Coz this stuff is important to me, sure, and I love it… but by no stretch of the imagination does it kick our IQ levels up any. What we are, are a few of many kids hanging ten on a mortal wave. I remember tossing the term Creative Zeitgeist out… but I don’t remember why.
See? (Read first sentence)
Been having fun lately. Got to travel with my girl up to one of the country’s highest peaks to help shoot her music video. Hummer was a bit cramped with crew and tech, but the view and how the music carried up there was well worth it. Don’t get a lotta chances to do that, y’know?
PLUCK won Zuda’s October competition, so now Gabe is working like an animal for you people, making sure we give you a story well worth following. I’m on creature design duty for the next week or so, that’ll probably gimme an excuse to update the blog. Also… FUCKYES!!!
Local comic scene has been gaining steam, and monthly Drink n’ Draws (bastardized DnD for you paladin-types) are proving fun and energizing, to say the least. Never hurts to be around fellow fanboys to help you feel like a real person. Oh snap. Related to this, in the Public Validation Department, I recently got talked to by a local newspaper about working in comics and the scene in general. Managed not to curse too much, so I’m fairly proud about that. Interview should run near the end of the month if they don’t misplace the transcript amid post-Manny fight analyses and 2012 reviews.
Need to see that movie.
Looking to wrap up JUDAH and a coupla other projects and commissions by year’s end, as January is already looking busy. Not quite ready to talk about the new projects yet, but it’s all pretty exciting. Haven’t gotten to finish that Glutton God piece either, but it can wait.
Wolfgang Parker is polishing the knobs on a previously discussed project. Be afraid.
Finally, shopping Tres Komikeros around to find it an FM radio home. Each podcast episode runs for roughly an hour, which is way too much geek talk than is healthy (trust us, we know), so we’re looking into making only the half-hour review portion air-friendly, while the rest is online bonus stuff that’s bad for your children.
Bonus. What a funny word.
Okay so things are looking busy — between Orlando losing to LA and Hillary fracturing her elbow, I actually have a lotta stuff going on that I’m actually involved in. Whoodathunkit? So I’m gonna keep this short so I can get back to work and my characteristic self-loathing. But mostly work. Schwing!
Quasi-religious Existentialist project with the ever-dashing William Prince just needs a couple more pages to wrap up my part in the pitch process. Here are some concept sketches from that story.
Steam punk Battle Chasers-esque Zuda proposal with the well-oiled machine Gabe White is about half way done. Shouldn’t be long now. Here’s a peek.
Justin “I know where you live” Jordan is juggling the pitches for OVERTHROW and JENNY STRANGE. All appendages are crossed. Do not activate webcam.
The yet unnamable period piece with lord and master Alexis Nolte went to pitch last week with some friends across the pond. Initial reaction has been positive.
Just getting into the groove of what’s shaping up to be my first solo series after MASK of MANOLO. I’ve somehow attracted the attention of the lovely Rod Hannah, with ties to cerealgeek.com, to illustrate a three-issue mini about wee super-heroine SOVENA RED. Designs have been approved. Scripts have been read. Layouts have been… laid out. More on that as the weeks go by. Here’s a peek though.
On the homefront, the online game Alex “You should really be drawing” Cipriano and I were hired to do is plodding along politely. The worst is probably over, with all the human characters done and approved… now it’s just a buncha cool monsters and we’re home free. After a fashion.
Speaking of monsters, my HORROR CLASSICS are on hold. Personal projects… bah! That werewolf sketch I showed off a month ago is here in Fort Bastard somewhere under a pile of Invincible back issues… I hope.
Just got back home from a… well… a “creative summit” with Jad “Why am I still with you?” Montenegro, at her end of the island chain. HARBINGER WAR is currently in the conceptualization stage, and we’re giggly as fuck about it. A lot. Here’s a sketch from the trip.
There’s that Comic Book Creation Seminar I got invited to speak at, for all the good that’ll do them. HEHAH! That’s set for next month still, but plans are solidifying. Like a flan. But creamier. Maybe I can give out tax advice.
Should look into cloning myself.
More updates as they happen.
Takeout. Bought this bacon-raped cheeseburger thing at close to midnight, coz I usually get real hungry right around that time and it gets harder and harder to stay at the desk when my stomach begins to fuse with my spine. But now that I have this sexy chunk of food in front of me, I’m not feelin’ it. Not the least bit hungry. Feel more like I’ve been pantsed by the Irony Fairy and she’s pointing and laughing at my wiener. Eat big sandwich anyway. Large fries. Large coke. Double patty.
Now happy as a pig in shit. Pretty sure I look the part too.
Comics are glamorous.
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Work’s been hectic. As mentioned in previous posts, OVERTHROW and 1888 are out of my hands (crosses fingers, toes, and all other crossable appendages), so I’m diving into some new things to keep me afloat as I wait for word. JENNY STRANGE is cruising along, and I’m finally in the final lap of what, I must say, has been a real challenge to my page-orientation ethic. I’m taking much, much longer than I would have liked though, and I humbly admit to a noobish ineptitude on my part regarding the proper adoption of the landscape comic format. Never been more aware of the horizontal page flow than I am now. Curse you, Zuda!
In concurrence with that (thanks, Word of the Day Cereal), I’m juuust starting pencil work on some pages that’ll hopefully make their way into a European mangazine-anthology-type book. So I’m thinking JUMP, but with a Le in front of it. I don’t know. Alexis Nolte has written a sonuvabitch of a detailed period piece — a French 17th century detective comedy, to be exact. And quite frankly… I don’t know what I’m spending more time on — all the wigs, or all the corset cleavage shots.
…And still in the page-layout-and-script-munching stages is an also unnameable project with William Prince. Not much to say about that until I bang some real stuff out, but I will say that fantasy-oriented existentialist themes always suck me in, especially when they don’t just feel like they’ve been hammered into a comic-shaped chunk of pretense. Things like this just give my inner Caulfield a hug and a handjob every now and then, and that never hurts.
So yeah… that’s going on. Plus the cross-country trips. Plus the podcast shenanigans beginning to snowball. But in a good way.
Fairly confident I can get all these projects out of the way before the month ends.
Oh stop laughing.
The gears’ve started to turn on the Victorian horror project with punk swing pioneer Wolfgang Parker.
Haven’t shared much about it on the journal for very specific, very delicate reasons. I’ve said it before, but I’ll slap you in the face with it again anyway — can’t let anyone in on any juicy details or the terrorists win. Nyaha! Deal with it. But no yeah, I’ve just recently completed my share of the work for the initial stages of the project, so here’s hoping something clicks and bursts into flames. The good kind of course.
Balanced out with the high-octane, pulp approach I’m using for JENNY STRANGE, I’ve subdued my camera and physicalities for this project as I wanted it to feel… real. Or at least as real as a drawn piece of work can be, given that my work is intrinsically cartoony. Coated my style with a Mignola-Fegredo luster, which I’m hoping I pulled off without having to dampen too much of my own spices. Yes, I totally just compared myself to a sprig of basil. Fairly happy with the results.
Vague enough for you? Good.
Anyway… so that’s that. Worked pretty steadily on this one.
Blame it on the season.